Responses: Susanna Morrill responds to Boyd Petersen’s JMH article

Susanna Morrill is Associate Professor of Religious Studies at Lewis and Clark College in Portland, Oregon. She is the author of White Roses on the Floor of Heaven: Nature and Flower Imagery in Latter-day Saints Women?s Literature, 1880-1920 and several excellent articles. She has previously guest blogged for JI here and here. 

In the latest issue of the Journal of Mormon History, Boyd J. Petersen effectively and succinctly describes Mormon women?s dialogic literary conversations about Eve in the Woman?s Exponent: ?The speaking of many voices created a carnivalesque atmosphere where language was at once serious and subversive.? [1] This is a really great description of what was going on in Emmeline B. Wells? Exponent. This periodical gave Mormon women a distinct, authoritative bandwidth within the community to express their views, views that as Petersen notes sometimes ?subvert[ed] and sometimes co-opt[ed] the patriarchal gaze that watched over the publication.? [2] Petersen adds much to our understanding of how the present-day understanding of Eve developed as he meticulously chronicles the diversity of interpretations of Eve that appeared on the pages of the Exponent: she was alternately a hero, a goddess, ?the hapless and unintentional instigator of the Fall.? [3]

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A Review of Sheri Dew’s “Women and the Priesthood”

Sheri Dew?s recently released Women and the Priesthood: What One Mormon Woman Believes (Deseret 2013) comes on the heels of an eventful year for liberal Mormon women. The day(s) of Pants, the petitions for women to pray in conference, and the launching of Ordain Women?s official site, among other events, have provoked widespread discussion on the well-worn but still dimly understood topic of women and the priesthood.

Women and the Priesthood, despite the title, isn?t so much an attempt to answer questions about women?s lack of priesthood authority (ordination), the nature of the priesthood, or the relationship between gender and the priesthood, so much as it is an attempt to discuss women?s general status and participation in the Church. This is important to note, since readers approaching the book with the former questions in mind will most likely be disappointed. Dew dedicates only one chapter to the topic of women and the priesthood, packed between seven other ?contextual? or ?foundation-laying? chapters, which highlight ways women should understand their eternal role, identity, and relationship to God and the Church.

It is clear early on that Dew?s imagined audience is split between those who think women have no significance in the Church (i.e. uninformed outsiders or members who are missing the picture) and those wishing to defend women?s current position in LDS belief and practice. As a result of this polarization, a considerable population is excluded: active, faithful members who are uneasy with or puzzled about the relationships between women, gender, and the priesthood, as currently practiced or discussed by the Church.

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Guest Post, Lisa Tait, Thinking Generationally

As part of our monthly series Childhood, Children, and Youth, we are very pleased to have a post from Lisa Tait. She has recently joined the staff at the LDS Church History Library as a Historian and Writer, working on projects to expand the Church history web site. She has a PhD in American Literature from the University of Houston and researches late nineteenth/early twentieth century Mormon history, focusing on periodicals, women writers, and generational dynamics. She also serves on the executive committee of the Mormon Women’s History Initiative. In her spare time (which amounts to about ten minutes every other Saturday), she thinks about how much she would enjoy doing some hiking with her dog.

Mormon Studies Weekly Roundup

Another week, another list of links from the world of Mormon Studies. Let’s get started:

Those of you who enjoyed last month’s series of posts on material culture will want to read Rachel McBride Lindsey’s post at Religion in American History on a recently-rediscovered quilt auctioned off at her grandmother’s childhood church (Tabernacle Baptist Church in Springfield, Missouri). Lindsey concludes:

My grandmother was a small child in 1938 and her memories of the quilt are probably more collective than personal. The quilt is not a proxy of material culture?that capacious category assigned to the stuff we designate as somehow meriting sustained inquiry?and neither is it a proxy of the tiny hands that have grown soft and arthritic, or the many other hands that stitched hundreds of names and sewed its patches into a single tapestry. It is not an unmediated connection to the past, but it is a connection whose twines are composed of threads and stories. Itself a patchwork, it asks us to piece together not only the history of the church and the ownership of the quilt, but also the many other histories of which it is a part.

Another non-Mormon post of potential interest to JI readers is Ken Owen’s thoughts on historical heroes over at The Junto. His concluding thoughts are certainly relevant to readers of Mormon history: “I?ll keep my heroes, for without them, I?d begin to wonder why history mattered at all. But I?ll remember that heroism is also a mug?s game, and I?ll do my best to keep my eyes open to the broader questions?good and bad?raised by the lives of those I admire.” 

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Miss Indian BYU and Material Culture

This installment in the JI’s material culture month comes from Farina King of the Kinyaa’áanii (Towering House clan) of the Diné (Navajo). She is a second-year graduate student in the U.S. History Ph.D program at Arizona State University. She received her M.A. in African History from the University of Wisconsin and a B.A. from Brigham Young University with a double major in History and French Studies. King has written and presented about indigenous Mormon experiences in the twentieth century, drawing from interviews that she conducted for the LDS Native American Oral History Project at BYU. Her doctoral research traces the changes in Navajo educational experiences through the twentieth century. She was the last Miss Indian BYU crowned in 2006. King is also a dedicated wife and mother to two toddlers. A version of the following will appear in a special issue on Miss Indian pageants, forthcoming in the  Journal of the West .

The Tribe of Many Feathers (TMF), the BYU Native American student organization, hosted the Miss Indian BYU pageant for twenty-three consecutive years until 1990. TMF restarted the pageant in 2001. I was the last crowned Miss Indian BYU in 2006, since the TMF Council cancelled the pageant again in 2007. I had the opportunity to interview several former Miss Indian BYUs about their experiences as title-holders and pageant contestants including Vickie Sanders Bird and Jordan Zendejas who I feature in this blog post. The Miss Indian BYU Pageant and its winners’ memories reveal the ways that Native American LDS youth engaged and transformed material culture in the effort to represent BYU Indian students.

2006 Pageant. Farina is on the left.

Dr. Janice White Clemmer, a Wasco-Shawnee-Delaware and the first “American Indian woman in the United States to earn two masters degrees and two doctoral degrees,” worked with the BYU Native American Studies and Multicultural programs when TMF invited her to judge for Miss Indian BYU pageants during the 1980s. [1] According to her, the pageant “[celebrated] young American Indian womanhood.” [2] She elaborated on the criteria that the judges used to evaluate Miss Indian BYU contestants: “How does she look in her regalia? How does she carry herself? How fluent is she about her tribal knowledge? [Miss Indian BYU has] LDS standards and demonstrates best of both worlds, of all worlds . . . someone who represented her tribe, other tribes, school, and gospel.” [3] The Miss Indian BYU Pageant typically consisted of the following parts: presentation of traditional regalia, traditional talent, modern talent, and question and answer. The ability to wear and describe traditional clothing demonstrated knowledge of the contestant’s tribe and people. For example, I remember wearing a biil (Navajo rug dress), moccasins, and a squash blossom necklace for the first part of the pageant in 2006. I explained that the squash blossom once belonged to shinálí ‘asdzáníígíí (my grandmother). Shibízhí (my aunt) had made the necklace for her using the sand-casting technique. I wore the moccasins of a Yébíchai (Yei Bi Chei ceremonial) dancer. The clothing represented our people and cultures, and so the judges wanted to see how we (as contestants) would understand and convey the connections between how we appeared and what we emblematized–indigenous identity in a LDS school context.

Vickie Bird, Miss Indian BYU, 1972

As Miss Indian BYU in 1972, Vickie Bird Sanders (Mandan-Hidatsa) enjoyed meeting with different groups to share her culture and serve as an ambassador. She recalls, “When I was chosen, I felt like it was a very special calling to be able to represent the population of all of the Native Americans and represent BYU. I did a lot of speaking. I was going to Boy Scout clubs, going to schools, going to women’s clubs, and performing for General Authorities.” [4] During one of her visits to an elementary school, she frightened a little girl who closed her eyes tightly to avoid looking at her traditional regalia. Sanders explained to the girl that the rabbit fur hanging on her long hair was not alive, and then the girl became excited to touch the fur and hugged her. She remembered, “That’s when I realized that I wanted to keep doing that, I wanted to keep going to the elementary schools, meeting with the little children and having them give me hugs and wanting to touch my rabbit skin.” [5] Sanders later became a schoolteacher and continued to present at some public schools. In her presentations, she first appears to the children in “everyday modern” clothing and then changes into her traditional dress in front of them while describing the cultural meaning of each clothing piece. She prepares her presentations this way to show and complicate the meanings of “a real live Indian.” [6]

Sanders also explained that Janie Thompson, the director of Lamanite Generation (a BYU student performance group), designated

TMF Ladies and Float

her as a “spokesperson” because of her title. “I always had a part in the show where I could express thoughts about BYU and where we were at that time wherever we were performing,” she added. [7] Phillip Smith (Navajo), a member of TMF during her reign, remembered seeing Sanders speak publicly to students. She impressed the BYU community with her personal story of reprimanding some relatives for wearing BYU icons and clothing in disrespectful atmospheres such as bars and clubs where alcohol was distributed. After witnessing the bereft of her people and family due to alcoholism, Sanders beseeched students to reject alcohol completely. [8]

During her service as Miss Indian BYU, AIM activists especially criticized Sanders and told her, “[You’re] Apple Indians, you’re red on the outside but white on the inside and you’re not really an Indian.” Sanders remembered, “So many of them took pride in ‘why don’t you wear something that identifies you as native? Why don’t you wear a feather in your hair’” She responded, “That to me is not what needs to set me apart from who I am. I don’t need to grow my hair long or wear it in braids or wear a feather or wear my Indian dress to show people that I’m proud of who I am.” [9]

In the twenty-first century, Miss Indian BYU still sought to shape popular images and material culture of American Indians. Miss Indian BYU 2004-2005, Jordan Zendejas (Omaha), visited public schools in her formal mainstream attire to relate better to children. Zendejas recounted,

My year, my focus was on education and the youth, and so I would educate them about Native American people and how we are different tribes and how were different then and how we are now. I like to emphasize the now part, because some people believe I wear my regalia every day to school, so I even wore a pant suit one time and they were like that is not what you wear, and I was like “yeah it is” that was my main issue to many schools. [10]

Adult supervisors at some schools complained that she did not wear feathers in her hair, hold a tomahawk, or portray other such stereotypical images of Indians. She explained, “There would be people who think, ‘You’re not Indian enough. You don’t look Indian enough. Do you take being Indian seriously’” She continued, “I remember this one class, I walked in there and to my horror all the students were wearing fake leather and fringe and putting on war paint and feathers in their hair . . . [one] mom was like you don’t look Indian. “Neither does your son, but you dressed him up.” I didn’t say that, but in my head I wanted to.” She added, “I wasn’t necessarily wearing my regalia every time that I went to schools just to show them how we were just normal people now, we don’t wear regalia all the time.  . . . I had my own agenda set out, and I guess the teachers had in their mind their agenda of what they wanted me to do, so when I didn’t do it they would get mad.” [11] Zendejas used such encounters to teach people that she was a contemporary Native American and not a relic of the American past and fantasy of “the frontier.” Zendejas attended BYU Law School, aspiring to follow her father’s footsteps as a lawyer. Refusing to appear in traditional regalia for her presentations, Zendejas wanted to show that American Indians were a changing and developing population like peoples throughout the world.

Like the little girl who was afraid of Vickie Sanders’s rabbit fur in her hair, Zendejas confronted misconceptions about American Indians through her attire and presentation. Zendejas, similar to Miss Indian BYUs decades ago, was determined to dismantle prejudices and worked to alter material images of Native Americans and LDS indigenous people in particular.

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[1] Janice White Clemmer, “Native American Studies: A Utah Perspective,” Wicazo Sa Review 2, no. 2 (Autumn 1986): 18.

[2] Janice White Clemmer, interview by author, Salt Lake City, Utah, March 26, 2007, recording in personal possession of author.

[3] Ibid.

[4] Victoria Bird Sanders, interview by Farina King, Provo, Utah, March 27, 2008, transcript, LDS Native American Oral History Collection, Brigham Young University Harold B. Lee Library, Provo, Utah.

[5] Vickie Bird Sanders, interview by author, Provo, Utah, 24 March 2007, recording in personal possession of author.

[6] Ibid.

[7] Sanders, interview, 2008.

[8] Phillip Smith, interview by author, Monument Valley, Utah, August 10, 2013.

[9] Sanders, interview, 2008.

[10] Jordan Zendejas, interview by author, Provo, Utah, March 24, 2007, recording in personal possession of author.

[11] Ibid.

Under Glass at D.I.: How I Found a Rare Copy of The World’s Fair Ecclesiastical History of Utah

To historians, collectors, and aficionados of 19^th-century America, it is no surprise that the Chicago World?s Columbian Exposition, or Chicago World?s Fair of 1893 is highly popular for its abundance of collectible items still in circulation among antique dealers, collectors? sites, and Ebay, of course. Indeed, a cursory search of ?Chicago World?s Fair 1893? on Ebay brings up hundreds of items, from paper weights, silk scarves, plates, bowls, medallions, shaving cups, lamps, bookmarks, coins, spoons, Fair tickets, and every variation of printed and photographic material imaginable.  One could literally lose fortune, space, and sanity to build a personal collection of World?s Fair memorabilia. 

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Hemming Village: Val and Alice Hemming and Memorializing Mormon Women’s History in Public Spaces

In yesterday?s post, “Eliza R. Snow as Dorm Mother and Concert Master” here, I wrote about the challenges faced when institutions fall short of representing their female members? historical presence, and how the limited efforts of BYU and BYU-Idaho have tried to meet those challenges in sometimes interesting ways, but have often fallen short. In contrast, I have also found an example, right here in Rexburg, Idaho, of how private individuals, families, or businesses, when equipped with adequate resources and far-sighted motives, can advance the purposes of public history, choosing to represent the contributions of women and other underrepresented groups in ways that tradition-bound institutions might not.

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Eliza R. Snow as Dorm Mother and Concert Master: Memorializing Mormon Women In Campus Spaces

One trip through Rexburg, Idaho, or any amount of time spent there, reminds visitors of the methods of honoring the institutional, religious, and pioneering heritage of western settlements, in ways that often emphasize the prominence of male actors in that history, and the absence, or lesser importance, of female actors.

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Mormon Studies Weekly Roundup (Inaugural Edition)

Welcome to the inaugural installment of our new regular feature, Mormon Studies Weekly Roundup, which will appear each Sunday morning and consist of links to news and interesting items related to the study of Mormon history and culture. JI bloggers will take turn curating the post each week, and although we’re casting the net fairly wide here, the content posted will likely reflect that individual’s own interests. We don’t necessarily expect a lot of discussion to show up in the comments of these posts, though you are more than welcome to comment on any of the linked content and encouraged to post links to any relevant news items we might have missed. Thanks for reading!

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We’ll start with links to summaries of the two Mormon Studies conferences held last weekend in the Beehive State: FAIR (ably summarized by speed-typist Blair Hodges in a two part series at the Maxwell Institute Blog here and here) and Sunstone (reported on in the City Weekly here). If there other worthwhile reports of either, please do post links to them in the comments (especially if they report on the more scholarly papers presented at either).

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From the Archives: The Young Woman’s Journal Reacts to the First Sister Missionaries

Two weeks ago I posted an excerpt from GQ Cannon?s announcement of the decision to formally call female missionaries. Today I look at the response in The Young Woman?s Journal (YWJ). [1] The first official, female, Mormon missionary, Harriet Nye, was set apart on 1898 March 27; Inez Knight and Jennie Brimhall followed on April 1 and Cannon?s speech was on April 6. I looked for references to the call of the first sister missionaries in Volume 9 of the YWJ, which ran January to December 1898 and was edited by Susa Young Gates. [2]