How Thomas Aquinas’s Theory Of Scripture Explains Why Jimmer Fredette Is The Hinge On Which Modern Mormonism Pivots
By February 9, 2011
(Part whatever of my ongoing investigation into the cultural intersections of religion and basketball; part I, on the intertwining cultural meanings of Mormonism and the Utah Jazz, can be found here; part II, a review of the religious pilgrimage of Cleveland Cavaliers bit player Lance Allred, here; part III, on the Puritan antecedents of LeBron James nemesis Dan Gilbert, here.)
The author of Holy Scripture is God, in whose power it is to signify His meaning, not by words only (as man also can do), but also by things themselves. So, whereas in every other science things are signified by words, this science has the property, that the things signified by the words have themselves also a signification. Therefore that first signification whereby words signify things belongs to the first sense, the historical or literal. That signification whereby things signified by words have themselves also a signification is called the spiritual sense, which is based on the literal, and presupposes it. Now this spiritual sense has a threefold division. For as the Apostle says (Hebrews 10:1) the Old Law is a figure of the New Law, and Dionysius says [Coel. Hier. i] “the New Law itself is a figure of future glory.” Again, in the New Law, whatever our Head has done is a type of what we ought to do. Therefore, so far as the things of the Old Law signify the things of the New Law, there is the allegorical sense; so far as the things done in Christ, or so far as the things which signify Christ, are types of what we ought to do, there is the moral sense. But so far as they signify what relates to eternal glory, there is the anagogical sense.
– Thomas Aquinas,Summa Theologica 1.1.10.
Like Walt Whitman, and Holy Scripture properly understood, Jimmer Fredette contains multitudes.